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Editing suites at Miller Film and Video on the San Francisco Presido Film center

Miller Video & Film has been providing production and post production services to the San Francisco Bay Area production community since 1991. Located in the prestigious San Francisco Presidio , the company's facilities are located within one of the city's largest parks. We are next door to the San Francisco Film center which includes edit facilities, production companies, and the San Francisco Film Society . And just a few blocks away is the new Lucas film Digital Arts center . And with all that going on, you might think parking is a problem, but in fact there is a huge parking lot with more than 1000 free parking spaces that are always available. All within 2 miles of the Golden Gate Bridge , Miller Video & Film's facilities are luxurious and comfortable.

Miller Video & Film's facilities include AVID Media Composer Meridien and Final Cut Pro edit bays. Our main edit suite is over 400 square feet and can easily seat 6 or more people very comfortably. Our machine room houses lots of broadcast quality gear including Sony HDCAM , Sony Digital Beta cam , Sony Beta cam SP , Panasonic DVCproHD, Panasonic DVCpro-50 , Sony HDV, DVD authoring and DVD authoring. . Our edit systems handle standard definition as well as uncompressed High Definition (HDTV) . In addition, high end standards conversion gear can convert from NTSC to PAL and vice versa using Snell & Wilcox with Motion Compensation . (See our Standard Conversions page for more info.)

In addition to our editing and dubbing services, we also provide rentals for Avid Adrenaline & Media Composer Meridien 9000xl , Final Cut Pro systems, as well as studio deck rentals and hard drive systems, such as the Avid MediaDock LVD shuttle tower. Camera packages available including Panasonic HVX-200 with Panasonic P2 recording for Panasonic DVCproHD High Definition.

We also provide media conversion which allows us to convert most formats into internet playable media files such as QuickTime , Windows Media , and Real Player. We also encode for DVD's in both PAL and NTSC and can create interactive DVD menus in both formats.

Miller Video & Film's clients include Lucas film, MCI, Autodesk, Pixar, NBC, Harris Digital, Tippet Studio, , The Orphanage, and Dr. John Grey, author of Men are from Mars, Women are from Venus.

Please give us a call to find out what we can do for you.


AVID Media Composer Adrenaline The Media Composer Adrenaline systems feature fully integrated video and audio patchbays, VHS recorder, realtime DVD recorder, mixer, broadcast quality NTSC and PAL monitoring, Dual LCD Displays, professional speakers, workstation desk and a wide range of decks which include Digital Beta cam, Beta SP, DVCAM, etc. This system rolls into any edit suite or MCR and in easily interfaced with equipment and machines on-site. Multiple drive configurations, including firewire, SATA Arrays and SCSI LVD Media Docks, available upon request.

AVID Media Composer Meridien The Media Composer Meridien systems feature fully integrated video and audio patchbays, VHS recorder, realtime DVD recorder, Mackie Mixer, Broadcast quality monitoring, Dual LCD Displays, professional speakers, workstation desk and a wide range of decks which include Digital Beta cam, Beta SP, DVCAM, etc. This system rolls into any edit suite or MCR and in easily interfaced with equipment and machines on-site. Multiple drive configurations, including SCSCI Fixed drives and SCSI LVD Media Docks, available upon request.

Final Cut Pro 5 HD The Final Cut Pro 5 HD systems feature fully integrated video and audio patchbays, Mackie Mixer, Broadcast quality monitoring, Dual LCD Displays, professional speakers, workstation desk and a wide range of decks which include Digital Beta cam, Beta SP, DVCAM, HDCAM, DVCPROHD and HDV. This system rolls into any edit suite or MCR and in easily interfaced with equipment and machines on-site. Multiple drive configurations, including firewire, SATA Arrays and SCSI LVD Media Docks, as well as VHS recorder, realtime DVD recorder, available upon request.

All systems are completely mobile and fully configurable according to needs. Seasoned technicians setup and test systems onsite and are available for tech support throughout the rental period. Whether it's an add-on edit suite in your facility or a edit-on-the-fly setup at a hotel or video shoot, Miller Video & Film is an all in one mobile edit solution. Here is a list of clients who have trusted Miller Video & Film, time and again, to deliver quality equipment and service...


Final Cut Pro on an Apple G5 with 8-drive SATA array is fully capable of realtime capturing and editing HD material. Our editing package includes DVD Studio Pro, Compressor, Soundtrack Pro, and QMaster, which allows you to use other G5s on the network for faster rendering of files.

An Aja Kona LH on an Apple G5 supports 4:2:2 HD input and output as well as realtime down conversion to standard definition. Other features include analog recording and playback of SD and well as HD playback via analog down conversion for suites lacking HD monitoring capabilities. It works in conjunction with our Final Cut Pro systems that include a sata drive array for full recording and playback of HD 8bit or 10bit uncompressed in realtime. This system can be used with our Sony HDCAM, Panasonic AJ-HD1200A or Sony HDV decks. The system is fully mobile and easily integrates into any edit suite or MCR.

The Black Magic DeckLink HD on a Apple G5 supports 4:2:2 HD input and output as well as realtime down conversion to standard definition. It works in conjunction with our fully configured Final Cut Pro 5 systems that include a sata drive array for full recording and playback of HD 8bit or 10bit uncompressed in realtime. This system is fully integrated into our machine room for access to both our Sony HDCAM and our Panasonic HD1200 decks as well as all our other standard definition decks such as Digital Beta, Beta SP, and our standards conversion system.

Sony HDW-F500 HDCAM

Supports 24, 25, 29.97, 30, 50i, 59.94i frame rates at 1920 x 1080 resolution.

Features Down Conversion at PAL or NTSC Frame rates with letterbox, anamorphic or edge cropped formatting via serial digital output. Dolby E 5.1 Compatible.

Panasonic HD1200

Features Up Conversion, Down Conversion and Cross Conversion as well as Multi-format, PAL or NTSC, playback of Mini DV, DVCAM, DVCPRO 25, DVCPRO 50, DVCPRO HD. Capable of up converting standard definition Mini DV, DVCAM, DVCPRO 25, DVCPRO 50 tapes to HD in real time as well as DVCPRO HD down conversion to standard definition. Supports 24, 25 and 30 frame rates at 720p or 1080i. Compatible with varicam cameras for seamless 24p integration with Final Cut Pro HD via Firewire 400.


Whether it's on-line finishing or off-line editing, Miller Video & Film offers a wide range of choices for post production editing. For standard definition projects we rely on the industry standard for quality in our AVID Meridiens and AVID Adrenalines and for standard definition and high definition we use Final Cut Pro HD 5 on Ultra fast G5s with high speed drive arrays. All the systems we offer are mobile but are also available in our deluxe edit suite, designed with client comfort and usability in mind. With our sophisticated edit bay to MCR interface, we can route any machine to our edit bay quickly and easily. Clients benefit from skilled technicians capable of accommodating almost any technical need on the fly.

Aside from being a full blown editing facility, Miller Video & Film can also offer an endless array of format conversions, tape or digital. We also have high quality standards conversion capabilities for NTSC projects with content headed overseas and for conforming tapes in PAL format to your NTSC project. All equipment we use meets broadcast standards and includes HDCAM, Digital Beta cam, Beta SP, DVCAM among others. Have a tape and you can't play it or don't know what it is? Just ask... chances are we can handle it and get it into a format you can use.
 




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